Let Me Eat Your Pancreas Eng Sub

• Let Me Eat Your Pancreas Anime Eng Sub

I (Takumi Kitamura) am a high school student. I happen to find a diary by my classmate Sakura Yamauchi (Minami Hamabe) that reveals she is suffering from a pancreatic disease. Full list episodes Let Me Eat Your Pancreas english sub Viewasian, I (Takumi Kitamura) am a high school student. I happen to find a diary by my classmate Sakura Yamauchi (Minami Hamabe) that reveals she is suffering from a pancreatic disease. I spent time with Sakura, but she dies.

Let Me Eat Your Pancreas Anime Eng Sub

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I (Takumi Kitamura) am a high school student. I happen to find a diary by my classmate Sakura Yamauchi (Minami Hamabe) that reveals she is suffering from a pancreatic disease. I spent time with Sakura, but she dies. 12 years later, due to Sakura’s words, I (Shun Oguri) am now a high school teacher at the same school where I graduated from. While I talk with my student, I remember several months I spent with Sakura. Meanwhile, Kyoko (Keiko Kitagawa), who was Sakura’s friend, is soon to marry. Kyoko also recalls the days she spent with me and Sakura.

Synopsis The aloof protagonist: a bookworm who is deeply detached from the world he resides in. He has no interest in others and is firmly convinced that nobody has any interest in him either.

His story begins when he stumbles across a handwritten book, titled 'Living with Dying.' He soon identifies it as a secret diary belonging to his popular, bubbly classmate Sakura Yamauchi. She then confides in him about the pancreatic disease she is suffering from and that her time left is finite. Only her family knows about her terminal illness; not even her best friends are aware. Despite this revelation, he shows zero sympathy for her plight, but caught in the waves of Sakura's persistent buoyancy, he eventually concedes to accompanying her for her remaining days.As the pair of polar opposites interact, their connection strengthens, interweaving through their choices made with each passing day. Her apparent nonchalance and unpredictability disrupts the protagonist's impassive flow of life, gradually opening his heart as he discovers and embraces the true meaning of living.Written by MAL Rewrite.

Overall4Story0Animation0Sound0Character0Enjoyment0'I Want to Eat Your Pancreas' is a common drama production to this industry. It offers generic school settings with rather superficial teenage characters. The only thing it tries to accomplish is toy with its viewers' emotions to the point of some cheap tearjerking. Those who are okay with this will most definitely see how the movie accomplishes exactly all the thing it wants to. Those who want something more from anime, should look elsewhere.This movie is a story about death. It starts when the most perfect mary sue on the planet starts randomly talking with a no-life loser dude who happens to be herclassmate. Our characters start frequently interacting with each others and supposedly grow close.

They hang out and talk about dying all the time. That's pretty much the entirety of their relationship. It feels random and forced and unnatural.Our dude is dense and has never had any friends during his pathetic life. That's pretty much him. Our girl is really perfect and chill and that's also pretty much her. The catch being that she will die soon which further makes these two character - who are the opposites of each others (according to the narration at least) - even more the opposite because the dude is actually alive.

Great.The drama is a separate entity in the work, mainly because it is there constantly whispering to the characters -and especially to its viewers ears- that shit will go down, just wait and see. Since the great twist is obvious from the start, the whole thing relies on the journey. Where nothing spectacular ever happens and the characters feel more like meridians that try to connect the viewers to the emotions.One could defend most of the events by looking it more from the characters perspective. I found this to be quite hard as they don't feel like real, genuine people at all.

If they did, it would be understandable for our heroine to open up to a stranger, as to most people, it's often easier to talk with 3rd parties than to people close to you. Especially the whole fear of death is amazing as a concept, but I don't really see it as anything more than waste of potential in this case.The whole main dude realizing that people actually die in real life is definitely quite an interesting idea as well. At least to those who have never experienced this type of thing or considered that all of this could happen to literally anyone. I doubt any person who is aware of how fragile thing person's existence is, can find this specific work do them any further waking up enlightenment, other sudden realization of such things or offer much feels at all. If this movie ever serves someone, it's those viewers who are unaware of how life works, and instead of following our characters for what they are, fall into self-insert.

This is one of the rare things with what the author seems self-aware of, as they say 'to live is to empathize with someone.' And moreover, named the male lead simply 'boku' which means 'I/me'.There are also several other things I'd want to complain about. Like the claim in narration that our characters are 'pure and innocent.'

Which is really just a try hard attempt on making the viewer accept these thoughts, but the content (teenagers and alcohol) and our characters behavior (random snapping incidents) among several other scenes is the polar opposite of what I'd considered to be either of these things. Which further makes me question the author's ability to even recognize their own work for what it is. I can't say I feel very respected as a viewer when such contradictions exist in the narration. Or perhaps my comprehension of 'pure' just differs with the writer.Our writing is practically a collection of romance cliches. The only remotely original things are the concepts which it deals rather poorly with.

Every event, every side character archetype and every moment that drives the story and the relationship development onward, is loaned content. There is not a single thing any romance fan hasn't seen at least 50 times before, and not only that, but the execution is so lame that I would call it offensively bad if the work managed to be less bland, but unfortunately it's not even worth of getting mad over.If this had been 50 episodes long tv series that offered a real character portray to both of our main characters and their life, connected them, dealt with the same heavy themes. All the copy-pasted events and cliches had been abandon and the story was written by Adachi Mitsuru: this could have been the best drama the anime industry has to offer. Now it mainly looks like a random, shallow past story from any fighting tournament shonen from Nanatsu no Tanzai to Naruto except there is no character depth present in this movie and therefore it is significantly worse than let's say zero arc from Fairy Tail which dealt with rather similar concept. Overall8Story0Animation0Sound0Character0Enjoyment0Kimi no Suizou wo Tabetai (I Want to Eat Your Pancreas) is predictable, heavy-handed, unoriginal, and, yet, I still love this film.

I do not love the movie in any sort of guilty-pleasure way either; I unironically think Kimi no Suizou wo Tabetai is one of the best anime films I have ever seen. Well, the film uses its predictability, heavy-handedness, and unoriginality to craft a message that is so unbelievably powerful, and it struck a chord with me and left my emotions in absolute, complete shambles. I honestly doubt most people could misinterpret the themes of Kimi no Suizou wo Tabetai, soI also want to try and dig into why this movie hits so hard, for so many.Spoiler Warning: I am going to spoil the entire movie (but so does the movie itself).

If you choose to opt out here, know that I highly recommend this film.There are two main themes of Kimi no Suizou wo Tabetai. The first is spelled out on for us on the heroine’s, Sakura’s, dairy, “Living with Dying”. Sakura has a pancreatic illness that will eventually cut her life short. As anyone would be in this predicament, Sakura is terrified. She tries to come to terms with her situation and live her remaining days as the same carefree girl she was before.

Everyone’s time will eventually end, and, unfortunately for Sakura, her time will end a bit earlier than most. No one knows when they will die though—not even Sakura. Before her illness can even take her life, Sakura is stabbed in the streets and dies at the age of seven-teen. The film clearly sets up Sakura’s death to be an abrupt one, but this was the one event that even caught me slightly off-guard. The first scene of the movie is Sakura’s funeral, so, just like Sakura, the viewer is supposed to enter the story with the acceptance of her death, but, just like Sakura, we struggle to.

No matter what, death will always be sudden, frightening, and sad. The way the film handles Sakura’s death should have be obvious to the viewer, but even if you see it coming, it still somehow catches you off guard, just like Sakura. Kimi no Suizou wo Tabetai weaves Sakura’s feelings into the viewing experience itself and forces the viewer to empathize with her situation. If the movie did its job, the viewer will be sobbing by the end of the film, just like Haruki.Without Haruki, Kimi no Suizou wo Tabetai would be a hollow experience. Sakura’s story might be powerful, but it is Haruki’s that is truly moving.

Prior to meeting Sakura, Haruki is a shell of person. He has no personality, no emotions, and he shuts himself off from the rest of the world. Sakura is the first person to extend an olive branch to him, and throughout the time Haruki spends with Sakura, although reluctant, he slowly starts to open up to her. For the first time in his life, Haruki makes a connection with someone else. Haruki knows that Sakura will not be around for much longer, but just like everyone else, he cannot handle losing her. After her death, Haruki starts to close himself off again, but he is not the same person as before he met Sakura.

Haruki starts to realize how difficult being alone really is and starts pursuing other relationships. Although Sakura is gone, her impact on the people around her, especially Haruki, will remain. Haruki is meant to be a surrogate character for the viewer, and, because he so basic at the start of the movie, he is extremely easy to project yourself onto.

At the emotional climax of the film, Haruki breaks down into tears alongside the viewer, strengthening the bond the two share and makes the following message of “the importance of connections” hit even harder.No doubt, the story of Kimi no Suizou wo Tabetai is constructed with the main purpose of eliciting specific emotions and sending home simple, but still important, messages, and the production does more of the same. The film has strong animation and direction, but the real standout is the music. Although the OST has a few solid tracks itself, the most memorable part is definitely the handful of songs done by Sumika. They do the OP, ED, and an insert song during a pivotal scene, and all of them hammer home the emotions being felt by the viewer and adds even more to an already great experience.I recognize that Kimi no Suizou wo Tabetai is not the film some people want it to be.

The movie is certainly a shallow one: predictable, heavy-handed, and unoriginal. Although the movie might be simple, it is still effective. Kimi no Suizou wo Tabetai is not the type of movie that is supposed to spark discussion (even though I am still doing it lul), it evokes a feeling and leaves impact. In my opinion, two movies that tackle similar themes better are Colorful and Koe no Katachi, but both of them are certainly more flawed than Kimi no Suizou wo Tabetai. Actually, I consider both those other two to be in my top-ten anime of all time, so hopefully by me considering Kimi no Suizou wo Tabetai to be their equal, you can understand how much I truly do love and recommend this film. Overall5Story5Animation5Sound6Character6Enjoyment5Kimi no Suizou wo Tabetai, also known by the English title 'I want to eat your pancreas', is a drama anime film with tragedy.

It is about an outgoing girl who has a pancreatic illness which she has not told anyone except her family that she has this illness. A boy from her class stumbles upon her diary that she left in the hospital and she comes back to fetch the diary only to realise that he read it so she ends up telling him about her illness. Due to this secret knowledge of theirs that none of their classmates know about, they start togrow closer. Sakura Yamauchi, the girl with the pancreatic illness, notices that the boy is a bookworm and does not talk with anyone and does not have any friends so she feels she has some sort of duty to become friends with him and change him for the better. This all sounds good on paper, but it falls short due to the way this film was structured along with other things that this review will touch on.

Some scenes felt out of place and did not add much too the film's main story.The animation of this film was quite disappointing. It seems that this anime film didn't have much of a budget and a lot of the animation was quite lazy. This film was very much heavy in dialogue to make up for the still shots of animation that had a pan effect on the cinematography showing several still animated shots in one after another that conveyed the character's activities rather than animating their movements. This made the movie tell the story verbally rather than showing it to us and it felt very lazy. Due to this sequence of several still shots throughout the film, it felt very rushed in terms of pacing as it was evident they were trying to squeeze as much as they could into this film.The soundtrack was not memorable and the opening theme was just shoved into the film in a distracting and 'pushy' way. The voice actors did a good job though.

No real complaints in that department.Character development was okay. It could have been a lot better.

I liked how they symbolised the unwillingness of opening up doors for friendship with the rejection of taking gum when offered by a classmate. I thought that added a nice little metaphorical touch to the anime film. Where this film lacks though is the reasoning with the actions of the cast in this film. I could not get fully emotionally invested in the relationship between the two main characters as their attitudes and emotions seemed to have a convenient 'light switch' wherever it was convenient for the plot to do so. Yamauchi's best friend was a character in this film which was included just to add unnecessary drama to this anime film which could have been a bittersweet tale with more character development on the main characters' relationship but it decided to be more of a rivalry with attention and dictatorship of who Yamauchi should be friends with or the reasons as to why the other characters do not open up to the introverted boy.I still found some enjoyment watching it as there were sweet moments that occurred in this anime film. It's just a shame that it was tainted by the poorly written aspects of this anime film.I found this anime to be similar to another anime called Your Lie in April, particularly with the motivations, actions and relationships that are conveyed in both anime.

I would suggest watching Your Lie in April instead of this if you have the patience of watching an anime series rather than a film. I cannot recommend this anime unless you find deep enjoyment watching growing friendships within characters that is interlaced with tragedy.If you do end up watching this anime film, stay to the end of the film as there is a post-credit scene which does make the film a little bit better and adds a better conclusion to the ending before the credits roll.